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"Raayan" FullMovie (2024)

"Raayan" FullMovie (2024) MP4/720p 1080p HD 4K English



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In addition to being his 50th film as a hero, the multitalented Dhanush's Raayan, which is currently playing in theaters, marks his second film as a director. He has picked a sinister tale about a family coming together in the middle of North Chennai's dark underworld. Kathavarayan (Dhanush), Muthuvel Rayan (Sandeep Kishan), and Manikavel Rayan (Kalidas Jayaram) are three brothers who live in Chennai with their only sister Durga (Dushara Vijayan). It remains to be seen whether the film will have an impact on all segments of the audience in addition to Dhanush fans. Their business is a street food restaurant. Kathavarayan is overly attached to his younger sister, and when he was a teenager, he even killed a guardian who was trying to sell her.  The feared gangster Durai (Saravanan) and his fierce rival Sethu (SJ Surya), who is waiting for an opportunity to exact revenge for his father's death, rule the region. In the meantime, Prakash Raj, the new Police Commissioner, is planning to conflict with them and destroy them all. Because of Muthuvel, a gang war breaks out, and Raayan, normally calm, is forced to take on the role of a killing machine to protect his family.  The rest of Raayan's screenplay is all about whether he succeeds or fails, as well as the betrayals and difficulties he faces.

Dhanush has once again given a strong performance as the multifaceted character, initially displaying a calm demeanor while being strict with his brothers and loving his sister. During this time, the audience erupts in applause for his remarkable transformation into the mass avatar. Dhanush reigns supreme throughout the second half as the unstoppable force that destroys anyone who poses a threat to his family. His style and agility are especially impressive in the action sequences.


Dhanush also merits praise for giving equal importance to all of the characters in the movie, not just his own. As the family's bad apple, Sandeep Kishan dominates the first half, and his romance scenes with Aparna Balamurali are entertaining to watch.  The meek sister, played by Dushara Vijayan, transforms into a tigress when her older brother is in danger. Selvaraghavan makes an appearance throughout the film as the good samaritan who assists the family. Kalidas Jayaram plays the confused younger brother admirably. Even in a subdued avatar, SJ Suriya's subdued villainy remains menacing. He also makes his wife, Varalaxmi Sarathkumar, laugh when she sees him with his second wife. Dhanush and SJ's initial altercation. While their final fight is riveting, Suryah is a delight to watch. Aparna Balamurali has also been seen as Sundeep's love interest. As the cop who has his own agenda, veteran Prakash Raj shines.



The most positive aspect of Raayan is the way Dhanush experiences mixed emotions and how his family bonds despite the violent setting. Brilliant writing keeps the reader interested from the very beginning to the very end.  When Dhanush, the dialogue writer, asks Saravanan if he would have spared him in the same circumstance, he reaches his highest point. Dhanush's actions and persona speak loudly throughout, despite his limited speech.




Sundeep and Kalidas' character arcs, on the other hand, lack conviction. There are also a lot of logical mistakes, like Dhanush not knowing what his brother does for a living and the biggest gangs not knowing where Dhanush is, even though he is close to dying. The sluggish pace may present a challenge for some viewers.



The film's greatest asset is AR Rahman's soundtrack and songs. The climax of "Adangaatha Asuran" sends Dhanush fans into a frenzy if "Oh Raaya" causes them to whistle. To top it all off, "Usure Nee Thane" is sufficient to highlight the bond between the siblings to the fullest extent. With his reddish lighting, Om Prakash's cinematography captures the underworld's dark side. G. K. Prasanna has performed exceptionally well. The film was produced on a large budget by Sun Pictures.  In his second film as director, Dhanush has won a lot of attention for his sensitive handling of emotions while maintaining the necessary level of violence.  He is one of very few Tamil actors whose 50th films have been well received by critics and grossed well at the box office.


The verdict: Go for Dhanush's well-crafted violent gangster story.

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Movie Info

When army commando Amrit (Lakshya) finds out his true love Tulika (Tanya Maniktala) is engaged against her will, he boards a New Delhi-bound train in a daring quest to derail the arranged marriage. But when a gang of knife-wielding thieves led by the ruthless Fani (Raghav Juyal) begin to terrorize innocent passengers on his train, Amrit takes them on himself in a death-defying kill-spree to save those around him -- turning what should have been a typical commute into an adrenaline-fueled thrill ride.





YOU CAT RUN FOREVER FULL MOVIE

 

YOU CAT RUN FOREVER FULL MOVIE


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A teenage girl suffering from anxiety due to a tragic event from her past finds herself hunted through the woods by a sociopath on a murderous rampage.


Director: Michelle Schumacher

Writers :Carolyn CarpenterMichelle Schumacher

Stars   :J.K. Simmons,Fernanda Urrejola,Allen Leech


STORY

The great J.K. Simmons has slowly and steadily moved into that special category of actors who I will watch in anything. The Oscar-winning Simmons has appeared in nearly 250 productions that span movies, television, stage, and even video games. Perhaps most impressive is his ability to excel in any genre. Whether it’s superhero movies, dark comedies, adult dramas, gritty action films, or animated family features, you’re liable to see Simmons in anything. And you can guarantee that he’ll be good in it.

His latest film does a good job proving my point. From director (and Simmons’ real-life wife) Michelle Schumacher, “You Can’t Run Forever” sees the actor letting loose in a juicy role that may catch some people by surprise. He plays a mysterious serial killer who goes on a murderous rampage in rural Montana, eventually targeting and hunting a terrified young girl. Co-written by Schumacher and Carolyn Carpenter, the story makes good use of its Northwest setting and even better use of Simmons, who remains a chilling presence even as things start to go off the rails.



“You Can’t Run Forever” opens with a bang (several of them actually). A man on a motorcycle (Simmons) pulls up to a country gas station to fill up his tank. There he guns down three people in a manner that almost indicates some warped moral code. He willingly leaves two witnesses and then rides away. It’s a shrewdly brutal cold open that immediately and firmly establishes Simmons’ character in our minds.

From there were introduced to Miranda (Isabelle Anaya), a young teen who suffers from panic attacks following a recent trauma. After her divorce, Miranda’s loving mother Jenny (Fernanda Urrejola) remarried to the kindhearted Eddie (Allen Leech). Both have daughters from previous marriages and are now expecting a child of their own. For Miranda, adjusting to this new family has been a struggle.


In an effort to spend some quality time together, Eddie takes Miranda with him on a day trip to pick up a new bassinet. While taking a bathroom break at a rest stop, they encounter the strange man from the opening scene. It only takes a few minutes for their encounter to turn violent. Miranda flees deep into the Montana forest with the unhinged killer stalking her like a predator does his prey. To survive she’ll need to conquer her anxiety and find an inner-strength she never knew she had.


The story unfolds on two fronts. While Miranda runs for her life in the woods, the news reaches Jenny and Eddie’s daughter Emily (Olivia Simmons) back home. Meanwhile two dutiful yet overwhelmed young deputies, Morgan (Andres Velez) and Dwyer (Graham Patrick Martin), feel their way through the investigation while waiting for the new sheriff to arrive. They’re well-meaning but at times shockingly incompetent to the point that they almost feel like a parody.


Both sides of the story work together yet have their own weaknesses. For instance, some of the choices made by the deputies and Miranda’s family will have you shaking your head. And there are a couple of miscalculations later that don’t quite have their desired effect. Take Miranda’s encounter with mushrooms which leads to a drug trip sequence that doesn’t land as intended. These gripes don’t derail the movie, but they do take your attention away from what it does well.


As far as pacing, following a strong opening and a solid middle act, the film loses some steam in the final stretch. But it picks itself up and ends with a tense though conventional finish. Even with its hiccups, Schumacher makes some savvy choices that energize her movie. For example, we never learn much about the killer beyond vague hints at what might have pushed him over the edge. That may frustrate some, but I found it made him more unsettling. And a lot of credit goes to Simmons who gives us a cold-hearted yet cryptic antagonist. It’s yet another great performance from one of the most consistently good actors working today.


Toofan (তুফান) | Shakib Khan | Mimi

 

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Toofan (তুফান) | Shakib Khan | Mimi | Chanchal Raihan | Alpha-i | Chorki | SVF


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Director
: Raihan Rafi
Writer: Raihan Rafi
Stars: Shakib Khan,Mimi Chakraborty,Chanchal Chowdhury

**Review of *Toofan*: A Cinematic Storm with Charismatic Performances and High-Octane Action**


Raihan Rafi’s *Toofan* has recently made waves across the nation with its ambitious attempt to create a gripping action thriller. This high-octane film dives into themes of violence, corruption, and the relentless pursuit of power, centering on a character who rises from the shadows to become Bangladesh’s most formidable don.


**Plot and Storyline**

At its core, *Toofan* follows the life of Toofan, a ruthless figure whose meteoric rise through the criminal underworld is marked by brutality and a quest for dominance. While the central narrative of Toofan’s ascent and his violent path is riveting, the film falters somewhat in providing deeper context for his motivations. The film’s exploration of Toofan’s character remains somewhat superficial, leaving audiences with unanswered questions about his ultimate goals and the driving forces behind his actions. This lack of depth in the storyline can make it difficult for viewers to form a connection with the character and the narrative as a whole.


**Performances**


One of the most notable aspects of *Toofan* is its cast, led by the charismatic Shakib Khan. Khan’s portrayal of Toofan is nothing short of mesmerizing. He brings a compelling presence to the role, balancing charm with a chilling ruthlessness that makes Toofan both captivating and fearsome. Khan’s performance stands out for its intensity and dedication, showcasing his ability to make the character memorable and dynamic. His every move, from his commanding speech to his menacing looks, demonstrates the significant effort put into crafting this role.


Supporting Khan are Mimi Chakraborty and Masuma Rahman Nabila, who deliver solid performances as the key women in Toofan’s life. Their roles, while secondary, are executed with fluency and contribute to the film’s emotional depth. Gazi Rakayet, Fazlur Rahman Babu, and Misha Sawdagor also offer commendable performances, though their screen time is limited.


A special mention must be made of Chanchal Chowdhury, whose brief appearance as CID officer Akram adds a touch of comic relief and provides a standout moment amidst the film’s intense drama.


**Technical Aspects**

The technical elements of *Toofan* are impressive. Raihan Rafi’s direction is sharp and confident, effectively capturing the gritty essence of the urban landscape and the high-stakes confrontations that drive the film. The cinematography by Tahsin Rahman is particularly noteworthy, with stunning visuals that enhance the film’s dramatic impact. The meticulous attention to locations, costumes, and makeup further establishes the film’s atmospheric setting and complements the overall aesthetic.


**Storytelling and Execution**


While the film excels in its technical execution and performances, it does struggle with its storytelling. The film’s reference to *KGF* is evident, and while it is commendable that Rafi attempted to craft a grand cinematic experience, *Toofan* falls short of achieving the same level of compelling narrative and character development seen in similar epic films. The story lacks the depth necessary to elevate the film from a mere spectacle to a memorable cinematic experience.


Additionally, the potential of many talented actors is underutilized. Characters played by Shahiduzzaman Selim and Suman Anwar, who appear in only one scene each, represent a missed opportunity to deepen the film’s narrative and villainous opposition. Expanding the roles of characters like Salahuddin Lavlu and Misha Sawdagor could have strengthened the hero-villain dynamic, a crucial element for any successful action film.


**Final Thoughts**

Despite its flaws, *Toofan* is a noteworthy achievement in terms of scale and ambition. The film offers a visually stunning experience and features strong performances, particularly from Shakib Khan and Chanchal Chowdhury. It serves as an entertaining spectacle for those who enjoy high-energy action films with impressive visuals and charismatic performances.

For fans of Shakib Khan and action enthusiasts looking for a movie that delivers on adrenaline and spectacle, *Toofan* is a worthwhile watch. It may not have the depth of some other epic films, but it succeeds in providing a cinematic experience that’s enjoyable in the moment. In the end, *Toofan* stands as a significant entry in the genre and a testament to the possibilities of Bangladeshi cinema on a grand scale.


**Rating:** ★★★☆☆ (3/5)












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